21.0 x 29.7 cm
Works on DIN A4 by Beni Bischof, Andrea Bonnet Adam, Vittorio Brodmann, Zora Decherf, Gaia Del Santo, Vidya Gastaldon, Hervé Graumann, Samuel Haitz, Max Hari, Tobias Hauswirth, Esther Hunziker, Jeanne Jacob, Tobias Kaspar, Selina Lutz, Jean-Luc Manz, !Mediengruppe Bitnik, Wanda Tschill Nay, Rondi Park, Annaïk Lou Pitteloud, Sam Porritt, Audrey Ramos, Marta Riniker-Radich, Hinrich Sachs, Lionne Saluz, Nicolás Sarmiento, Isadora Vogt, Agnès Wyler und Urban Zellweger.
DIN A4 is the most widely used paper size in the world. Its success story began around a hundred years ago. A4 was designed as a format for business letters and is still associated with this function today. Invoices and advertising flutter into our homes on A4 paper; contracts are signed and forms are filled in on it. It is the standard for photocopiers, and even in the supposedly paperless office of the digital age, the printer spits out emails and presentation notes on A4. And anyone in an office looking for a sheet of paper for handwritten notes will grab an A4 from the printer tray or the waste paper bin next to it.
The exhibition brings together works on DIN A4 by contemporary Swiss artists from different generations, who transfer the format from the sphere of the office to that of art. In doing so, they draw connections to standardisation, to letters and forms, or to the sketchy and unpretentious, but also to artistic traditions of ‘works on paper’.
The artistic works are complemented by historical material on the history of paper size standardisation from the Library of Design in Basel.
With the generous support of: